Line Producer. Salary: $75,272 (average) The key grip is one of the leaders on set in charge of all the crew members working on lighting and camera equipment. The Key Grip is the head of the Grip Department. Key Grip. Manages the budget for a film project. While the Lighting Department will set the lights, it is the Grips who cut and shape light for a cinematic quality. The DP, gaffer and key grip are always in close communication during a shoot. Any union production crews working under the "Hollywood" umbrella are required to take Occupational Safety and Health Administration-style certified courses in safety. In short — he’s the leader of all the other grips on set. If the camera needs to be on a dolly, then the grip department will manage the implementation of the dolly, or any other similar gear. Changes in the film and television worlds have created lasting change in crew responsibilities. The main or primary light source used in a scene. Grip. Location Manager. By definition, a Key Grip is a person that’s responsible for all the grip crews, which are responsible for lighting and rigging. Grip — The people on set who rig all of the camera setups such as dollies and cranes — as well as any other setups. Depending on his experience and ability to guide his team properly, the budget of a film can be lowered significantly. Usually a big name who ties themselves to a project that they believe in and contributes money to get it going. Key Grip. Join this department if you like: Collaborating with key creatives to accomplish goals, military-style hierarchy and code language, panicking over a sudden need for umbrellas. The key grip must determine if lights can be rigged up safely on a mountainous set, for example. So this brings us to our simple answer: the key grip is the person in charge of the grip department, and the primary rigging technician on set. The key grip is frequently asked to be the safety monitor of the film set. In American and Canadian film-making, the key grip is the chief grip on the set. Like a foreman, the key grip directs a crew of grips, some with specialized skills such as dolly grips, crane operators, camera car operators, etc. The gaffer and key grip handle the physical and technical labor that make the DP's vision into reality -- the gaffer and his or her crew are in charge of lighting, and the key grip's crew work with the cameras. Key Grip — The lead grip. Cameras often work on a system of tracks called dollies. Key Grips. The key grip reports to the cinematographer and oversees the execution of different lighting positions and camera movements on set. Key Light. Favorite pastime: Inventing nicknames. The key grip is the head of the grip department, overseeing a crew of grips, best boys, electricians, mechanics, and crane and dolly operators, depending on the size and budget of … The Key Grip is one of the most important crew members that can be found on a set. Head grip in charge of setting up equipment - including cranes, dollies and platforms - to facilitate the camera crew's shot. They handle all support gear including camera support, rigging, and lighting. The key grip is the chief of the grip department, whose main purpose is ‘camera support’. Greg Flores, a union Key Grip for over twenty years says, “I start with the camera when I get to work. Personnel includes: Key Grip, Best Boy Grip, Dolly Grip, Rigging Grips. Executive Producer — The bankrollers of the film. It is the work of grips, working under the supervision of a key grip, to install these tracks and remove them after the shots.
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