You question, but you question with thought, right? J.N. In fact, it’s so important, that you know Kalakshetra retains what it has, and grows from strength to strength, because that is what, people, the world needs. The question here is that while most art institutions battle with remaining relevant in a changing world, Kalakshetra has done fairly well for itself, in that sense. Noted danseuse Priyadarsini Govind will soon take over as Director of city-based Kalakshetra, a famous school for classical dance and music. And then you see the older generation, who are walking in here, and for them, they’re at that point in their lives, when what they see on stage, it need not be anything that is religious, it need not be anything that is bhakti-oriented, I mean in, in an apparent way, but the complete spiritual overtones, the feeling transcends a certain human level and takes you to another world, where all of them are transported to that world, and it touches a chord, and they come out like they have been a part of something that was very special, something very moving and yes! That is the world that is relevant,and again, that word relevance, how does Kalakshetra remain relevant, I think it's each of our responsibilities. This was a shock to say the least. Priyadarshini Govind appointed director of Kalakshetra 18 July 2013 She follows Leela Samson and faces a big challenge. Unless otherwise specified, all content is made available under the CC-BY-NC-SA 4.0 Licence, though additional terms may apply. Senior Chennai-based Bharatanatyam dancer Priyadarshini Govind has been appointed to this post that lay vacant for sometime. Jyotsna Narayanan: We thought we would speak to you about a few thoughts that you have and might be able to share with us, regarding this legacy that is Kalakshetra. So, when there is something that has gone in, unquestioningly, then questions arise, then the answers for it help you to grow, you know. Kalakshetra Foundation director Priyadarshini Govind did not respond when asked for a comment. I’ll be doing an injustice to that child. Priyadarshini Govind,then Director and Shri Gopalaswami, Chairman. Therefore where do you speak, I mean you take it for granted, isn't it? Photo: K.V. In Gokula, he plays the flute and attracts the Gopikas. A one-stop-shop for seeing the latest updates, and managing your preferences. The Natya Kala Conference, a perennial fixture on the Margazhi calendar, is devoted to the theme of rhythm this year P.G. As a subscriber, you are not only a beneficiary of our work but also its enabler. “My first priority is to integrate into the system,” said a delighted Priyadarsini Govind, who will soon don the cap of director at Kalakshetra. It is a huge challenge for teachers here, and it’s also, I mean it’s each person’s journey, each person’s growth and that’s also something that’s very important that I create an, environment of harmony. So where is the question of dialogue? In this interview with Jyotsna Narayanan, Priyadarshini Govind, the director of Kalakshetra, speaks about its legacy and lasting relevance in … Continue reading "Interview with Priyadarshini Govind on Kalakshetra" J.N. When I sit at the prayer with the faculty and students, when I see a movement on stage, and it hits you that, you know in that one movement, how many hours of thought have gone into it, otherwise that movement would not be present with so much depth. So there is a very clear direction of how to do something, and very often for younger people, there is always the feeling that this is a little too rigid, and at the same time you find that in Kalakshetra there is an immense artistic movement, but we are not able to understand it has creativity sometimes when you’re younger as students, specially as students, because you’re only listening to ‘this needs to be done in this way’, whether it is an aramandi, as you said, just now, placing a flower, ‘no you just do it like that, don’t ask why’. We promise to deliver quality journalism that stays away from vested interest and political propaganda. I realize now what an advantage it was because very thing came naturally at that age, everything is so uninhibited, it’s a very moist soil that is here. If you give them a world of beauty, if you give them a world of incessant learning then that is what they will carry with them throughout their lives. Because, we are talking about climate change, we’re talking about environment, preserving the environment. How do you see yourself bringing to this beautiful process? The Hindu has always stood for journalism that is in the public interest. She pointed a way, and it is a way of life which she has created. Chitra Viswesvaran and Priyadarshini Govind – both Vazhavoor style – but the dance is pretty different Here is our adaptation of the Kalakshetra and Pandanallur forms Adavus: The adavus system or the grammar of steps we teach is according to the Kalashetra style. And, what happens is, where is my place in it? J.N. Because, every teacher has to feel valued, has to feel that they are giving something of value to the student, at the same time, they should not look at themselves in comparison to the others. Priyadarshini Govind revealed that it had taken Rukmini Arundale 14 years of hard work to choreograph the entire sequence. If we’re able to look at that value that each one of us has, and if we’re able to appreciate that, and make that the centre of that person’s contribution, then I think that that sense of self-worth, that sense of connect with the organisation will happen naturally. But as for everybody on this campus, the path of personal evolution is very important, do you think then, that we have enough in Kalakshetra to challenge us as adults, I wouldn’t use the word teacher or student, but as adults. Your support for our journalism is invaluable. J.N. Incidentally, the institute has been without a head for the past 10 months ever since the tenure of its director Priyadarshini Govind ended in mid-2017. I don’t know how many people who’ve lived and learned and passed out of Kalakshetra or continued to be here, how much they think about it, I don’t know. Today, the world has moved by leaps and bounds, beyond anybody’s imagination. Enjoy reading as many articles as you wish without any limitations. Photo: R.Ragu Or what, of what anyway or what use am I? Revathi is the direct disciple of legendary guru Mangudi Dorairaja Iyer, a maestro in Melattur style of Bharatanatyam. 📣 The Indian Express is now on Telegram. Kalakshetra Publications Books CHEENAI, 04/08/2010: Priyadarshini Govind, disciple of Kalanidhi Narayanan performing at Kalakshetra, in Chennai on August 04, 2010. Because, honestly, when I entered Kalakshetra it was with the enthusiasm of somebody completely innocent of what is happening here, with just the fervent need to do something for the art world, and somewhere some instinct was guiding me. And one of the things I really want, I mean to see in Kalakshetra is, that there is no fear. But at the same time, the necessity to learn and therefore question should be the practice, you know? Priyadarsini Govind is one of the foremost Bharatanatyam dancers among the current generation. : Exactly. : I think it is very easy to be overwhelmed by all that is there around you, and therefore you feel, what is my place here?
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